Sunday, 1 December 2013

Plays for the Queensland Premier's Drama Award

I have just spent a month re-writing 3 more scripts for the Queensland Premier's Drama Award. This is a competition to provide plays for the Queensland Theatre Company, and is a great opportunity for anyone  wanting to break into professional writing in Australia.
I had already re-written 'The Queenslander', and I followed this up with a major re-write of 'Heat', focussing on the two women. One is the 17 year old, pretty, working-class house-keeper in the kitchen; the other is 19 year-old sophisticated, beautiful boss's wife in the station house. The men come and go from these rooms, and from the influence of these women. I think this made the play much more focussed, and much more dramatic.

I also re-wrote two smaller scripts into plays. 'The Beach' is set in a small coastal town in Queensland.
Cathy is tied to her boring town by her mother. She has just dumped her faithless long-term boyfriend for sleeping with her best friend. Upset, she drives down to her family's beach shack to re-assess her life.
Cathy sees Max on the side of the road in a storm and offers him a lift. An alcoholic ex-rock star on the run from rehab, Max is burnt out and cynical. But the beach gives him the space he needs to rediscover his will to live. But Cathy's ex, her best friend and her mother have their own plans for Cathy.
'Edges' focuses on Ida, an elderly artist, living alone and in poverty. She has befriended Harry, an aboriginal man who has struggled with isolation and alcohol. Then a street kid, Sean, breaks into her house, and falls for her art. Ida feeds Sean; Sean helps Ida keep the social services at bay; and Harry helps Sean sort out his problem at home. But it is Sean's explosive solution to Ida's lack of artistic recognition that nearly brings the house down. 
I can only hope it makes the short-list. I find out at the end of December.

Wednesday, 6 November 2013

I have just submitted a play 'The Queenslander' to the Queensland Theatre Company as an entrant in the Queensland Premier's Drama Award.
Three generations of family dynamics in modern Australia, including:
who is the favourite?
who gets the money?
and who gets the house?
The house is a beautiful Federation-style Queenslander -
is it a home, an investment, a future or a past?
Here's hoping, crossed fingers, touch wood...
Find out if I made the short-list early January 2014.


Monday, 4 November 2013

I was inspired to write and illustrate three stories for my daughter, with the old-fashioned paradigms of princesses, dragons, witches, elves and giants, but with modern messages of independence, self-knowledge and determination. The illustrations are simple, following the tradition of wood block prints and miniatures from the middle ages. I am selling them on Kindle for a minimal price of $2.99.


 

When a terrible Dragon threatens a peaceful village, no one reacts the way they are supposed to.

A joy to read, this beautifully written tale has all the magic and drama of the old-fashioned bedside story, but when it comes to plot, get ready for surprises.
A metaphor for the challenges faced by the children of the 21st century, 'The Princess and the Dragon' has important lessons in Dragon-fighting for adults and children alike.
 
 


 A giant turns the life of a beautiful princess upside down. But sometimes change can be a good thing.

A modern fairytale that spurns tradition, providing guidance for 21st century children.
Beautifully hand-illustrated using ink and watercolours by the author.
 
 
Everyone complains that the King loves only music, but when he falls for a strange lady, he risks his whole Kingdom. How far will he go to make everything right again?
 
A traditional bedtime story for modern children.
 
Beautiful ink and watercolour illustrations by the author.

I really enjoyed writing and illustrating these stories, and think they are the perfect bedtime read for parents and children alike.
 
 
 
 
 
 
 
 
 

Tuesday, 15 October 2013

'Mary Read - Sailor, Soldier, Pirate' - New Edition

I've spent the last few weeks re-reading 'Mary Read', and have just submitted the revised file to Amazon for review.
I really needed to change the old contact address on the first page, and I found a few small mistakes that I've now rectified.
I also submitted a new cover, without the old web address, and with a better resolution, so it looks much sharper.
All of this last week has been a bit fraught, with me deperately trying to remember the skills I used to submit the book in 2008, and generally calling upon my patient husband to point out the bleeding obvious. Still, it's done, and in 24 hours the new edition will be up and ready to go.

This was all done partly to time in with a big marketing push for Christmas, and also for the promotions I'll be doing in the local libraries in February 2014:

Saturday 1st February, 10am - Caboolture Library
Wednesday 5th February, 10.30am - Redcliffe Library
Monday 10th February, 10.30am - Burpengary Library
Saturday 22nd February, 10am - Albany Creek Library

Hope to see you there, Cherie



Thursday, 22 August 2013

Great Review!

Richard Lancaster, known as Culture Vulture, reviewed my pirate novel in the Redcliffe and Bayside Herald on August 21st.
"Good Book
Redcliffe is rapidly gaining a reputation as a haven for good writers.
The latest contribution is a 500-page fact-based novel by Cherie Pugh, called Mary Read, Sailor, Soldier, Pirate.
Here is a rollicking yarn about an extraordinary woman, Mary Read, who in real life, became a pirate. Its available as a Kindle e-book, in paperback on Amazon, or maryread.weebly.com."

Richard rang me to tell me how much he enjoyed reading 'Mary Read', and inspired by his positive review, I have now approached Redcliffe Library, to sell them a copy of the book, and join their Local Authors program.
They emailed me this morning, so early next year I will be touring Moreton Bay libraries to promote my book.

Friday, 9 August 2013

'The Princess and the Dragon' is a fairytale I wrote for my daughter.
The story appears traditional, but my princess provides a very modern twist to the story.
The illustrations are ink and watercolour, and I have used medieval wood block prints as my inspriration.
Available at Kindle at a very reasonable price, this is the first in a series of three fairytales I am publishing.
BUY NOW

Thursday, 4 July 2013

My screenplay 'Heat'



I have been examining the records surrounding the 1912 murder of Arthur Cogzell, and the disappearances of Edith Anderson and George Daniels at the Danube Crossing, near Turkey Station, Central Queensland.

I have based my researches on the Arthur Cogzell Murder File A/49724 72N and the inquest into Arthur Cogzell's death JUS/N505/12/491.

George Daniels was a black stockman known to have been in love with Edith Anderson, and whose effects were found at the scene. When the only witness, a white man called Fred Bowton, claimed that the dying Arthur Cogzell had accused Daniels of the murder, the police accepted this without question, even though the evidence contradicted this story.

If, however, the witness was lying, and was in fact the murderer, then all the evidence makes sense, and Fred Bowton got away with three murders, by accusing one of his victims.

The evidence for this is over-whelming in detail but the main points are:

1) George Daniel's rifle had a faulty ejector mechanism, and he could only fire one shot, before having to remove the spent shell with a pocket knife. This would not be the ideal weapon to take to a potential
shoot-out, especially as the rich Arthur Cogzell would have had a fully functioning Winchester repeater, and better weapons were easily available at the station house, which George had been known to borrow.
More convincingly, at two places in the murder scene, shots were fired in quick succession, as though after a running target, the evidence being the close placing of the shots in trees. George could not have done this with his rifle.
The faulty nature of George Daniel's rifle was not raised by any of his friends who knew about it, at any time during the inquest. Although it was assumed by many that he had shot Edith and himself in the creek, his pocketknife that he used to operate his rifle was not on his person, but left under a tree, so this was not possible.

2) The police who examined the scene thought that George Daniels had fired at Arthur Cogzell from 25 paces away, on a downward trajectory. (Quite the challenge if you knew you only had one shot, with a rifle that pulled to the left). However, the medical examiner noted that the first shot was on an upward trajectory, almost 45 degrees, from the left hip, and out through the right lung. As he was on horseback, Cogzell must have been ambushed by someone lying in the bushes or long grass beside the narrow track.

3) It was assumed by the police that Cogzell, mortally wounded by the first shot, and then shot at such close range in the back that a fist sized hole was left in his lung; somehow crawled 6 meters, where he loosed his belt, and then another 10 meters, down a steep embankment; and then up onto a mound where there was a meat ant nest, which must have made his last hours hell. I do not think this would have been possible for a man so badly wounded, and I do not see the motivation for such an agonizing effort. The grass was flattened, so he might have been dragged. The police found three patches of blood, a dead man sitting in one of them, and two missing people. The conclusion seems obvious.

4) Psychologically, George Daniels does not seem a killer. He had options: work, family, friends, and another girlfriend in his home town of Miriam Vale. He had also announced his intention to return home. He had seen his relationship with Edith Anderson blossom in secret and die in the open, but he was particularly intelligent (the first aboriginal in his district to finish school) and he does not have a history of violence. He seemed to rely on charm and good looks for his success with young women, and was patient in his courting of Edie.

5) Fred Bowton was in an interesting position socially. Although his mother had turned Red Hill from a goat run into a cattle station, and Fred should therefore be classed as a 'catch' on the marriage market, he was uneducated, relatively poor, and socially and geographically isolated apart from his adoring mother and two sisters. His chance of finding a wife were slim, given the competition for the few women in the district. He might have thought that it was Edith or no one. It is Edith, young, pretty, intelligent and hard-working, who is the catch.
When first she chooses a black man, she causes outrage. But who would then resent her taking the rich man? George or Fred?

6) If Arthur Cogzell was ambushed, as the autopsy suggests, then the murder was planned. George Daniels wrote Edith a letter which was found torn up at the murder site. If you were carrying out a murder,
why would you also be delivering a farewell love letter?

7) If the murder was committed by George Daniels, but was not planned, how did they get away? Neither George's, Edith's or Arthur Cogzell's horses were taken. George's pocket knife, hat and other effects were
left behind. Edith's clothes were left behind, as was her pay cheque. The cash in Arthur Cogzell's coat pocket was not taken, nor his compass and watch, nor his high-quality rifle. No boats were missing, no tracks were ever found in extensive searches either directly following the murder, or in the weeks after, mostly because the monsoon arrived the same day, and all tracks were washed away in a deluge of rain. Whether George planned the murder or not, none of this makes sense. If Fred Bowton committed the murder, it does.

8) Fred Bowton's self-reported time-line does not fit other witnesses. He claimed to have passed Edith and Arthur Cogzell just before the crossing at about 9am, got to Turkey about 10.30, spent 15 minutes
getting some of Mr Worthington's beef (when he was a grazier himself) and without stopping for a cup of tea, after being on horseback since dawn, made his way back to the crossing, possibly racing the tide. He claimed he galloped back into Turkey Station to report the murder at 11am. The other witnesses mention that he was back much earlier, about 10am. Was there time for Fred, on his tired horse, to have made it all the way back to the Danube crossing, and then gallop all the way back to Turkey Station? Or had he already committed the murders and just waiting down the track a while before galloping back to raise the alarm. And why, when he was so close to the murder scene, did he hear none of the high-powered rifle shots, at least six of them from the bullet marks, but including the murders perhaps as many as nine shots? If you have ever heard the crack of a Winchester, you will know how far such a sound can travel, even through the bush.

9) Although Fred claimed he had forded the Danube Crossing at about 9am, and passed Edith and Arthur Cogzell shortly afterward, all the witnesses of the murder scene report no tracks at all crossing the creek.

10) If Bowton had been already at the ambush site before the high tide, which then wiped out his tracks across the crossing, that would also explain why his horse was able to travel so far that day -over 100
miles, when 60 would normally be considered the limit. If Bowton had not started at Red Hill, but at the Danube, that would be 25 miles less. If he had not made the extra leg back to the crossing and had not then
galloped back to report the murder, then we are back in the realm of the achievable. (He went on to Eurimbula station to tell Arthur Cogzell's parents their son was dead, and escorted Mr Cogzell senior back to Turkey Station)

11)After the scandal of Edith being sacked over George Daniels, the whole district knew that Cogzell and Edith would be using the crossing between 9 and 10am, at low tide, as this was the only place to cross the creek. If George had turned up at the crossing unexpectedly, then he played right into Bowton's hands. I believe that Fred Bowton had already planned to accuse George of the murders, and that because of the culture of the time, no evidence would have prevented George from hanging if a white man stood in the witness box accusing him of the murder of a white girl. All Bowton ever had to say was that the dying Arthur Cogzell had reported Daniels as his murderer, and that he took Edith.

But why, when Cogzell told him that George had taken Edith, did he not ask which direction thay had gone in, and give chase? Bowton said Cogzell was obviously dying, so why was his next concern not the
'innocent pretty girl' supposedly in the power of a 'sex-starved savage'? Was it because she was not that innocent, he was not a savage, and both were already dead?

I could go on for pages, but I hope this is enough to spark your interest.

I have written to the The Head of Coronial Inquiries at The Queensland State Coroner's Office asking if the evidence box is still available, as a simple examination of the cartridge shells in exhibits 2 and 4 to see whether they are scratched or not (by George's pocket knife) would be sufficient evidence to prove or disprove the existence of another shooter on the scene. These cartridges are described as fresh and recently fired by a police witness. No scratches are mentioned, but they might not have been looking for them.

The Coroner's Office replied that if the evidence box is still in existence, then it is held in the Queensland State archives. They can't find anything in their files, so I am casting about rather desperately now, trying to find a 100 year old evidence box.

I have been in touch with the Blackman family, who are related to George Daniels, and who are very interested in having an investigation that would clear his name, or at least cast doubt on the impartiality of
the original investigation. Please note that Daniels is constantly referred to as a murderer and an offender, even by the police witnesses at the inquest.